If there's blue in your shot, choose a green. If there's green in your shot, choose a blue chroma color.Though there are plenty of technical advantages to using green, your choice should be based on the qualities and obstacles of each specific shot you're capturing - and most of the time blue is found in the shot more often than green. Chroma green is typically the color filmmakers choose when the decide to do some compositing, but not necessarily because it's better or worse than blue (or any other color).
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